Coffin Knows the Answer (John Coffin Mystery, Book 34) by Gwendoline Butler

By Gwendoline Butler

With his spouse, the acclaimed actress Stella Pinero, away on a film shoot in Scotland, leader Commander John Coffin is at a little a unfastened finish with simply the cat and puppy for corporation. yet one morning, as he tests in the course of the mail for his spouse, he will get a slightly disagreeable shock: bad photos of badly abused youngsters despatched anonymously to Stella. instead of fear his spouse, he vows to trace down the offender and calls in a relied on colleague, DCI Phoebe Astley, to aid him in his inquiries.

As they examine Stella's stalker, one other significant issue faces the detectives of the second one urban of London. numerous younger women were murdered in Spinnergate with distinctive and brutal similarities among the instances. Is there a serial killer at the unfastened? what's the connection to Stella Pinero, or is all of it accident? because the investigations catch up with to one another in concentration, Coffin begins to suppose that there are very own explanations at play as his wife's tormentor racks up the strain. whilst excavations close to St Luke's unearth a chilling mystery buried within the grounds of Stella's theater, John feels the internet final round these nearest to him and needs to act fast or probability wasting all that he holds dear.

A gripping exploration of hidden wants and terrors, Coffin is familiar with the Answer poses a few worrying questions about id and relationships within the sleek world.

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Extra info for Coffin Knows the Answer (John Coffin Mystery, Book 34)

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Indeed the relationship between the Op and Gabrielle is shown to be more of a father-daughter relationship, or perhaps one can say a doctor-patient relationship. And although the Op helps Gabrielle in her addiction, he nonetheless treats her as a “madwoman” who needs to be cured. 42 Criminal Femmes Fatales in American Hardboiled Crime Fiction Within the critical scholarship that addresses The Dain Curse there is a broad agreement about Gabrielle’s victimization. Gregory (1985: 75) describes her as “the stereotypical female victim”; William Marling (1983: 57) calls her a “traditional damsel in distress”; Peter Wolfe (1980: 100) states that the only certainty of the book is the identity of the victim – Gabrielle.

The celebration of the “delinquent male hero” already existed in American popular culture in the 1930s and 1940s, especially in the Western genre. Hardboiled crime fiction can also be said to exemplify the “tough guy” crime genre with a cynical city-dwelling male loner – mostly, but not always, a detective who is implicated in a world of violence and disorder and who oscillates between the wealthy elite and the underworld of gangsters and dangerous women. But there is an equal emphasis on women, who are far from neglected in this genre.

It can be said that hardboiled crime fiction does make room for women’s resistance, which becomes a means for them to show agency, though the genre does not present an either/or situation in which women are either completely medicalized or endowed with agency and power. Rather, the agency of criminal femmes fatales is negotiated within a noir world that incorporates a discourse that oscillates between autonomy and pathologization. It can be concluded that crime by women is assessed and overseen through a complex system of interconnected cultural, social, legal, and medical discourses.

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