Cartoon Animation by Preston Blair

By Preston Blair

Книга посвящена мультипликации и, в частности, созданию оригинальных мультипликационных персонажей, каждый из которых должен обладать уникальным характером и своеобразными манерами.

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Additional resources for Cartoon Animation

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START YOUR ANIMATION WITH A LINE OF ACTION. THEN DRAW THE SKELETON AND THE DETAILS. (download long image) FINALLY ... ANIMATE ALL THE DETAILS. Chapter 2 - Page 94 RHYTHM AND DESIGN IN CARTOON ART RHYTHM AND DESIGN ARE THE SECRET FORMULAS BEHIND THE APPEAL AND CHARM OF GREAT CARTOON AFT. ARTISTS HAVE INSTINCTS THAT TELL THEM THESE THINGS. THE FOLLOWING ABSTRACTACT DESIGN BASIS SHOULD HELP YOU. THE BASIC "S" CURVE OF RHYTHM AND THE OPPOSING ARCS (SECOND FROM LEFT) HAVE GREAT VALUE FOR YOUR DRAWINGS.

Left] WRONG ! THE LINES OF ACTION DO NOT FIT. [right] CORRECT! THE LINES OF ACTIONFIT AND ARE ACCENTUATED. STUDY THESE DRAWINGS IN WHICH I´VE INDICATED THE LINE OF ACTION. Chapter 2 - Page 92 LINE OF ACTION IN ANIMATION THE LINE OF ACTION IS THE BASIS FOR RHYTHM SIMPLICITY, AND DIRECTNESS IN ANIMATION. START YOUR ANIMATION WITH A LINE OF ACTION. THEN DRAW THE SKELETON AND THE DETAILS. (download long image) FINALLY ... ANIMATE ALL THE DETAILS. Chapter 2 - Page 94 RHYTHM AND DESIGN IN CARTOON ART RHYTHM AND DESIGN ARE THE SECRET FORMULAS BEHIND THE APPEAL AND CHARM OF GREAT CARTOON AFT.

USE THE RULES OF PERSPECTIVE AND FORESHORTENING TO ACCOMPLISH THESE TRANSITIONS ACCURATELY (SEE PAGE 74). MODEL SHEET DRAWINGS, LIKE THE ONES ON THIS PAGE, ARE ISSUED TO THE ANIMATOR AS A GUIDE WHEN HE OR SHE PICKS UP THE SCENE FROM THE DIRECTOR. DRAW THE BASIC FIGURE BY USING THE CHART FROM ABOVE. THEN DRAW THE CLOTHES OVER THE FIGURE. YOU WOULD SEE THESE DRAWINGS ON THE SCREEN FOR TWO FRAMES - OR 1/12 OF A SECOND (SEE PAGE 196). Chapter 2 - Introduction Chapter 2 : CHARACTER MOVEMENT Once the character has been developed, the animator must consider the types of actions that are appropriate for it.

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