By Jean Ann Wright
I educate an animation writing type and feature used Wright's publication for the previous or 3 years. It not just includes necessary insights into animation writing but additionally offers standpoint via such subject matters because the historical past of animation and figuring out the tastes of varied audiences in line with age staff. i have extensively utilized her bankruptcy on pitching a script for an oral communications path. notwithstanding, I usually locate that her paragraphs will not be all that coherent in that she jumps from concept to notion. It occasionally turns out as if loads of this can be first-draft fabric. possibly the subsequent variation should be extra readable. total, it is a worthwhile complement to different fabrics. i have not discovered an ideal animation writing ebook but, so this one will do for now.
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Extra info for Animation Writing and Development,: From Script Development to Pitch (Focal Press Visual Effects and Animation)
In the 1970s Jorge “Catú” Martin directed more than 200 animated shorts. And the Patagonik Film Group in Buenos Aires produced the film Patoruzito, distributed in 2004. In Chile Grafilms was founded in 1978 by Alvaro Arce and Enrique Bustamante. The company made miniseries and commercials and trained a generation of animators until 1984. Cineanimadores produced the first Chilean animated feature film, Ogu y Mampato en Rapa Nui, released in 2002. qxd 12/8/04 4:03 PM Page 36 1995 Toy Story, the first major CGI feature, is released.
Hans Fischerkoesen founded studios both before and after World War II, and Gerhard Fieber founded the EOS studio after the war. The Diehl brothers continued to make films after World War II, and Kurt Stordel made children’s films for German TV in the 1960s. In 1962 two German animation producers, Wolfgang Urchs and Boris Von Borresholm, signed the Oberhausen Manifesto, which initiated a new German cinema and opened up new opportunities. During the 1980s Berlin Film and AV developed television series for Iraq.
The first Japanese film to be shown outside of Japan was Kitayama’s Momotaro (1918). Other early Japanese animators included Junichi Kouchi, Oten Shimokawa, Zenjiro “Sanae” Yamamoto, Noburo Ofuji (who made adult films), and Yasuji Murata (who used American-style cels). During the 1930s the government required propaganda films, and Kenzo Masaoka produced many of these as well as other shorts. In 1943 he created his most important film, Kumo to Chulip. Mitsuyo Seo made Japan’s first feature, Momotaro-umi noshinpei, also a propaganda film, in 1944.